“Eid’s personal plight, composed as an epistolary address to her deceased father, is entangled with more general symptoms of public paralysis,” writes Saadi Nikro
“We hear many of these stories in the documentary, stories that exemplify Lebanon’s extraordinary tendency to defy whatever would seem to be in its own self-interest”
“Clichés have thick skin. During a projection of my short film last year in Brussels, a woman came to me to tell me that she likes my film but that there wasn’t ‘enough war'”.
In conversation with the director of ‘Submarine’ (2016), Mounia Akl
In conversation with the Palme D’Or-winning director of ‘Waves ’98’, Ely Dagher